Inside Mid90s: How Jonah Hill Turned His Skateboarding Youth Into a Raw

Inside Mid90s: How Jonah Hill Turned His Skateboarding Youth Into a Raw

Mid90s, Jonah Hill’s directorial debut, scratches the gritty surface of 1990s skateboarding culture through the eyes of a young kid named Stevie. Although the film is fiction, it’s heavily informed by Hill’s childhood in Los Angeles.

This article discusses how Hill navigated authenticity and storytelling, why he refused to shy away from tough subjects like toxic masculinity, racism, and adolescent sexuality, and how he recruited real skaters to achieve the rawness of growing up. In “Mid90s,” Hill paints a nuanced portrait of friendship, pain, and identity without dictating what the audience should feel.

It’s not only a skateboarding film — it’s a snapshot of youth, culture, and the harsh realities many kids encountered in the mid-90s. The story matters because it’s a generation’s (unrestrained) truth serum — and because it dares today’s viewers to confront how much (and how little) has changed since.

Mid90s Is A Documentary About Jonah Hill’s Childhood

Jonah Hill didn’t author an autobiography, but in many ways, Mid90s tells the story of his youth. Raised in 1990s Los Angeles, he discovered friendship and purpose in skateboarding. Like Stevie, the protagonist, Hill was an outsider at home and found a street family of skateboarders.

Though the story is a work of fiction, Hill incorporated memories, feelings, and experiences, all of which helped to shape the film’s tone. By fusing truth with invention, Hill made something that feels deeply real even if it’s not his life to the letter.

Here, Stevie Stands For Loneliness And The Desire To Connect

Stevie isn’t simply a character, but the manifestation of what it feels like to be young, invisible, and aching to find your place. Hill went with Sunny Suljic to portray Stevie because of his small appearance and big emotions. Stevie’s trajectory reflects the genuine emotional flowering of so many teenagers: You start lost and alone, and then find people who accept you, even if it’s in messed-up ways.

The Cast Came From Real Skate Parks, Not Casting Calls

Hill cast actors who skated rather than vice versa to make the movie authentic to skating life. The cast was almost entirely made up of nonactors. Their body language, speech, and skills were not staged—they were real.

Hill says he took inspiration from Kids and This Is England, which employed street-cast actors. By casting this way, Hill gets an authenticity that the shiny Hollywood actors wouldn’t have provided.

Hill Did Not Mince Words And Never Sugarcoated The Harsh Realities

The boys in the Mid-90s spoke like actual teenagers did in their time. They employ crude, even offensive language, and the film contains depictions of underage drinking, sex, and violence. Hill didn’t want to tidy it up for comfort.

Instead, he wanted to show how kids talked and behaved in those days—even if it left viewers squirming in disbelief. He thought that the truth would be stronger than any sugarcoated sentiment.

Toxic Masculinity And Coming-of-Age Difficulties Are Central Themes

The boys in “Mid90s” are badly rough around the edges. They brawl, they drink, and they won’t discuss feelings. Hill was interested in “how we raise young boys to act tough instead of feel their feelings.”

Stevie quickly discovers that he must subdue his fears to make his way. That pressure shapes so much of his growth and pain. The movie is about how dangerous and lonely raising children can be.

Skateboarding Brings Together Folks From Different Universes

Hill thinks of skateboarding as more than a sport — it’s a community. Back in the ’90s, skaters were outsiders. They loitered in public places, often among snoozing homeless people and others deemed disposable by society.

Hill’s favorite scene features children conversing profoundly with a homeless man. That scene is significant to him because it shows how shared interests can tear down barriers between people. Skateboarding brought people together across race and class in a way few other things could.

It Shows, Does Not Tell, Race, Sexuality, And Shame

Hill isn’t trying to teach anyone anything. Instead, he presents what is, and leaves it up to the audience to determine how to feel. The boys were speaking honestly about race. They kid each other savagely, test limits, and show off to one another.

One of them, a sexual encounter for young Stevie, was shocking for audiences. Hill told me the moment had nothing to do with romance; it was peer pressure and status. It was a truthful depiction of how so many boys mistakenly learn that sex is power.

Friendship And Consequences, In The End

The mid-90s close with Stevie in the hospital with injuries from a dangerous stunt with his new friends. But those friends also stand by him. Hill says that the end of the book is about gray areas—how the very people who hurt us can also love us. The movie doesn’t provide clean answers or heroes. It’s true to life in that way—friendships are a mess, and growth is painful. Hill lets us feel it all and figure out what it means.

FAQs

Is Mid90s a true story?
No, the movie is a work of fiction, but Jonah Hill created the story by incorporating elements of his own childhood.

Why did the movie have such strong language and scenes?
Hill wanted the characters to talk and act like real kids did in the 1990s, even if that made viewers uncomfortable.

Who plays Stevie in Mid90s?
Sunny Suljic plays Stevie. Hill picked him because he was young-looking yet emotional.

Why are so many of the actors skateboarders?
Hill was the director’s attempt to keep things real: he used real-life skaters rather than actors trained to act like skaters.

What is the takeaway from this film?
Effectively, the film’s central themes are identity, friendship, and how toxic masculinity moulds boys, although there is no moral judgment.

Final Words

Mid90s is not just a nostalgic skateboard movie. It’s a raw, honest, and rash look at growing up as an outsider in the 1990s. Jonah Hill offers a story that means something to him but is open to interpretation.

He invites us to see the good, the bad, and the messy. With actual skaters, unvarnished banter, and emotional authenticity, Mid90s becomes a searing snapshot of youth—and a reminder of how much (or not) things have changed.

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